The Arms Of Aphrodite

She was discovered in 1820 by a Greek peasant named Yorgos
Kentrotas on the Aegean island of Melos in an underground cavern near the ruins of an ancient theatre.
She had a broken heart, a broken nose and was broken in two pieces. She looked as if she had really been through the ringer. Her temperature was as cold as marble. The pedestal in which she had fallen was near and there was a piece of her upper left arm, and a left hand holding an apple, along with an inscribed plinth.
It is not certain how long she had been there waiting to be discovered. How her heart must have cried to see human flesh again, to feel the warmth of a touch, to hear how people saw beauty in her, to smell the fragrances of life and to taste love.
Her name was Aphrodite of Melos. Though she was battered and bruised, Yorgos took this fragile creature under his wing like a lost Soul. He nurtured her. He opened his heart to her. He dusted her off, giving her hope, faith, and love. He made her smile from the inside as she made him smile.
What Yorgos treasured would soon change and Aphrodite would find herself in the hands of another.
When French naval officer, Olivier Voutier was exploring the ruins and got wind of Yorgos’ treasure, he informed fellow officer, Jules Dumont d'Urville. It was Jules who recognized its significance and arranged for a purchase by the French ambassador to Turkey, Charles-François de Riffardeau, marquis, later duc de Rivière.
Before he could take delivery, French sailors had to fight Greek brigands for possession. In the mêlée the statue was roughly dragged across rocks to the ship, breaking off both arms, and the sailors refused to go back to search for them.
The French ambassador to Turkey bought the statue and after it was repaired, presented it in 1821 to King Louis XVIII of France. Subsequently the King had the sculpture placed in the Louvre Museum in Paris where it has remained on display to this day.
Aphrodite of Melos is thought to be the work of Alexandros of Antioch, based upon an inscription on the missing piece of what may have been its original pedestal. It is believed to have been created around 150 BC.
Aphrodite has passed through many hands, survived a name change and became Venus de Milo. She is one of the most recognizable works of art from the ancient world.
She is composed of highly prized white parian marble, elegantly stands slightly over six feet in a curved pose with her weight resting upon one leg, clothed only by a loose drape about her hips that falls to the ground.
Many people think that she represents physical beauty, love and fertility, but she represents a deeper truth. Though she has no visible arms, her symbolism still reaches out to us and around us.
She IS love telling us that she needs us. She is telling us that she completes us as we complete her. Our arms are her arms. We are one. More important, she represents the sheer beauty of imperfection.
She explains to us that beauty and love reaches out to us, but we can’t see it. Love wants to wrap its arms around us, but we push it away. It speaks to us, but we can’t hear it.
You see, we ARE the arms of Venus. We ARE the love that she says we are. We are because we ARE.
Though Venus resides in The Louvre in Paris, she really resides in our heart. We can’t keep her locked away. We must let her out. She needs to breathe. No matter what we go through, we survive and are survived by love.
It’s all in our arms - and hands.















